What did @Beowulf_32 do while I was at work today?
Thoughts and ramblings |
Might as well be honest |
I have been asked, for no real comprehensible reason other than pity, to occasionally lower the intelligence of the blog, Things Medieval. I just fired off a truly curmudgeonly post. If you feel so inclined, here's the link
http://thingsmedieval.wordpress.com/ Trust me, you'll know which is mine. My apologies to those who would normally read the blog for intelligent writing.
I read the following article and it truly intrigued me. Feel free to jump to the end and read it. Go ahead, I'll wait...
Welcome back.
There are a number of reasons for my fascination with this article, some of which deal simply with the disturbing coincidences of the article and not merely its content. First, I had this very discussion with some of my students today. Not only that, but we were discussing Tolkien as an example. That it was about the songs scattered throughout Lord of the Rings is a trifle unsettling. The point that I was making was not in keeping with the article, however. I wanted the students to understand that often parts of the books that seem like mere filler give further insight into what the author is doing. Tolkien, I argued, was following medieval convention by including those songs. Glory and eternal for Anglo-Saxon warriors, like Beowulf, were tied to the legacy left behind, or, as Theoden puts it, "making an end worthy of a song." By including these songs, Tolkien is simply building Middle-Earth to be similar to the Anglo-Saxon Middangeard (That's Midguard for all you Thor fans). Thus, to skip those parts is to miss out out on a vital part of that fictive world.
Strangely, the second book referenced is House of Leaves. I have only just begun to read this book and it was recommended to me for just the reason that I am very likely to read each and every appendix and footnote and so on. It seems, therefore, that I am just such a puritanically compelled reader. Yet again, I cite my above reasons for just such a compulsion and quibble with the use of a (usually) pejorative adjective to describe them.
Yet, when I came upon the next book mentioned, Henry David Thoreau's bean-growing epic, Walden, I find myself blushing slightly. I have often heard myself remark that the book is a work of sheer contemplative genius, provided you can sift through all the passages on hoeing beans to get to the good stuff. However, before you cry "Hypocrite" and instantly unsubscribe from this little exercise in self-humiliation and self-indulgence I call a blog, I must say that I have read all those bean-hoeing passages on multiple occasions, though with lesser enthusiasm than I might show for lines like, "Humility, like darkness, reveals the heavenly lights."
What then should appear but the tome, A Prayer for Owen Meany? This very book was one I helped a friend locate for the purposes of a book club this week. Its inclusion here makes me fear that I have committed some sort of unfriendly act of torture, based on the account offered.
For the record, I did read ALL of the passage on soil type in Grapes of Wrath. I suppose I should mention that I'm teaching it. Yet does that make a difference? Of course not...I suppose...
Before you conclude that I am merely an intolerant, insufferable curmudgeon (which I am, you just shouldn't conclude that from this particular piece), I must admit that I do detect a rather facetious tone in the article and, I believe, such a tone can be detected here as well. After all, having read Tolkien more than forty times, I feel rather comfortable skipping those bits I don't entirely love...now and again...
in-defence-of-skipping
http://bookriot.com/2012/01/06/in-defence-of-skipping/
Edd McCracken , posted on January 6, 2012 in Opinion with
Skipping is not just for prize boxers and pig-tailed girls, but for serious readers too. Over the festive break I did quite a bit of it. Two days after Christmas I sat down to read The Hobbit by a suitably crackling fire. It was all going splendidly. And then the dwarves started singing.
For anyone unfamiliar with J.R.R. Tolkien’s work, the old codger loves giving his characters songs to sing. He has an unfortunate habit of underscoring certain scenes with a bout of hobbit karaoke. The songs never advance the plot or deepen the characters. These are no Greek choruses, more the literary equivalent of extended drum solos or the Ringo songs on Beatles albums. And hence are eminently skippable.
Skipping is okay. The journalist and editor Robert McCrum has been musing about the same topic. He too was inspired by another festive reading experience (maybe with so much other excess at this time of year, we tolerate it less in our books?).
As McCrum notes, there is an almost puritanical compulsion that we should read every single word in the books we pick up. How else can you explain the existence of Mark Z. Danielewski’s House of Leaves – a book with more appendices than an anatomy museum. Not doing so, the puritans say, would be a slight to the author, plus we might miss something.
And yet, what if the author was having an off day whilst writing that dry bit of exposition? Surely it’s okay to self-abridge if it keeps us reading and interested? McCrum asks, should we be ashamed at skipping? Not a bit.
I’ve done some major skipping in my time. Tolkien perennially inspires it. The Hobbit pales in comparison to The Lord of The Rings, which is essentially the Great Elvish Songbook.
I read Walden by Henry David Thoreau last year and had trained myself to recognise patterns of words that signalled whether this paragraph would be life-affirming musings or directions for building 19th century flat pack furniture. I skipped accordingly.
In A Prayer For Owen Meany I spent much less time in the contemporary chapters with John, the narrator, grapping with his life and faith, than in the flashback chapters with the wonderful Owen. Hands up who read all the chapters in The Grapes of Wrath about soil type? Nope, me neither.
Had I given in to the puritanical instinct that sometimes takes hold, these books might have become at best a drudgery, at worst unfinished. But because I skipped, I loved.
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Edd McCracken lives in Scotland, works for an ancient university, and writes about culture for fun. Follow him on Twitter: @EddMcCracken
However mean your life is, meet it and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poorhouse. The setting sun is reflected from the windows of the almshouse as brightly as from the rich man's abode; the snow melts before its door as early in the spring. I do not see but a quiet mind may live as contentedly there, and have as cheering thoughts, as in a palace . . . Cultivate poverty like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. Sell your clothes and keep your thoughts. God will see that you do not want society. If I were confined to a corner of a garret all my days, like a spider, the world would be just as large to me while I had my thoughts about me. The philosopher said: "From an army of three divisions one can take away its general, and put it in disorder; from the man the most abject and vulgar one cannot take away his thought." Do not seek so anxiously to be developed, to subject yourself to many influences to be played on; it is all dissipation. Humility like darkness reveals the heavenly lights.
Some days are just not what you envisioned. And go awry and interruptions get in the way. On days like that, it's too easy to let the more fluid nature of the day distract you from what may actually be good in the unexpected turns of events. Often, some of the best most enjoyable moments are those that arise without warning or planning.
Just thinking as I sit in a waiting room...